Lee Painter Music for the Soul. Code for the Bowl.

The Journal

Thoughts on software, music, AI, bootstrapping, trust, craft and making things without turning the whole operation into a funnel.

11 September 2026 / Code

What Is Software Development in 2026?

When writing the code is no longer the hard part. I saw an interesting post on LinkedIn recently. An experienced software engineer had been experimenting with AI. He’d […]

11 September 2026 / Code

The Birth of Behaviour Engineering

For most of my career I thought software engineering was about writing software. I don’t think that anymore. Not because software is disappearing. Quite the opposite. We’re about […]

9 September 2026 / Freedom

Apparently My Porch Has Moved

I am currently having an argument about a public footpath. This is already a sentence nobody wants to write. The argument concerns where a footpath actually runs across […]

7 September 2026 / Freedom

AI Wrote This. I Wrote This. Both Things Are True.

There’s something I should probably disclose about the articles on this site. I use AI to write them. Quite extensively, actually. There. I’ve said it. Run one through […]

27 August 2026 / Freedom

The Map Is Wrong. Please Change Reality.

I have a public footpath running through my back garden. Except I don’t. Cornwall Council says I do. I’ve lived at our property in Cornwall for sixteen years. […]

26 August 2026 / Code, Freedom, Notes

Ray Kinsella still owns the field.

In my last article, I explained why we’re opening the gates to Jadaptive’s software and inviting people to come and use it. There’s an obvious question I deliberately […]

26 August 2026 / Code, Freedom, Notes

Ray Kinsella is Selling Hot-dogs

I’ve been building and selling software for about 25 years, and I’ve recently started wondering whether Ray might have understood something about the software business that we’ve forgotten. […]

21 August 2026 / Freedom, Uncategorised

Running Up Someone Else’s Hill

I saw a reel on Facebook recently. Four lads, probably in their early twenties, all bunched up around the camera. Singer at the front, guitarist to one side, […]

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